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They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the tip,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
To anyone familiar with Shinji Ikami’s tortured psyche, however — his daddy issues and severe doubts of self-worth, not forgetting the depressive anguish that compelled Shinji’s true creator to revisit The child’s ultimate choice — Anno’s “The End of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-display meditation within the upside of suffering. It’s a self-portrait of the artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails.
It’s taken many years, but LGBTQ movies can finally feature gay leads whose sexual orientation isn’t central to your story. When an Anglo-Asian male (
It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw in an Oscar-nominated Timothée Chalamet as being a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit and in A significant supporting role, a peach, and you simply’ve bought amore
It’s now the fashion for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL
Shot in kinetic handheld from beginning to end in what a feels like a single breath, Jean-Pierre and Luc Dardenne’s propulsive (first) Palme d’Or-winner follows the teenage Rosetta (Emilie Duquenne) as she desperately tries to hold down a work to help herself and her alcoholic mother.
It’s no incident that “Porco Rosso” is about at the peak from the interwar period, the film’s hyper-fluid animation and general air of frivolity shadowed via the looming specter of fascism in addition to a deep feeling of future nostalgia for all that would be forfeited to it. But there’s also such a rich vein of fun to granny anal it — this is usually a movie that feels as breezy and ecstatic as flying a Ghibli plane through a clear summer afternoon (or at least as ecstatic since it makes that seem).
And nonetheless, as the number of survivors continues to dwindle and the Holocaust fades ever further into the rear-view (making it that much much easier for online cranks and elected officials alike to fulfill Göth’s dream of turning hundreds of years of Jewish history into the stuff of rumor), it's grown less difficult to understand the upside of Hoberman’s prediction.
helped moved gay cinema away from being a strictly all-white affair. The British Film Institute ranked it at number 50 in its list of the best one hundred British films of your twentieth century.
But if someone else is responsible for constructing “Mima’s Room,” how does the site’s site manage to know more about Mima’s thoughts and anxieties than she does herself? Transformatively adapted from a pulpy novel that experienced much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of the youjiz full-on psychic collapse (or two).
Al Pacino portrays a neophyte crook who robs a bank in order to raise money for his lover’s gender-reassignment operation. According to a true story and nominated for six Oscars (including Best Actor for Pacino),
The artist Bernard Dufour stepped in for long close-ups of his hand (to be xhamstercom Frenhofer’s) as he sketches and paints mia malkova Marianne for unbroken minutes at a time. During those moments, the plot, the particular push and pull between artist and model, is put on pause as you see a work take condition in real time.
The film that follows spans the story of that summer, during which Eve comes of age through a number of brutal lessons that force her to confront the fact that her family — x porn and her broader community over and above them — are certainly not who childish folly experienced led her to believe. Lemmons’ grounds “Eve’s Bayou” in Creole history, mythology and magic all while assembling an astonishing group of Black actresses including Lynn Whitfield, Debbi Morgan, as well as the late-great Diahann Carroll to produce a cinematic matriarchy that holds righteous judgement over the weakness of Adult males, who're in turn are still performed with enthralling complexity by the likes of Samuel L.
We asked for that movies that had them at “hello,” the esoteric picks they’ve never forgotten, the Hollywood monoliths, the international gems, the documentaries that captured time in a very bottle, along with the kind of blockbusters they just don’t make anymore.